Veronika Holcová - PERLYVPERLE

VERONIKA HOLCOVÁ ~ PERLYVPERLE

Curator ~ Dita Lamačová
Architektka / Architect ~ Patricia Talacko

Dernisáž výstavy / Closing ceremony of the exhibition 9. 9. 2023 17 pm / 5 pm
The exhibition will run until 9. 9. 2023

The work dates from the period between the 13th and 23rd centuries CE. The breadth of the time span is due to the absence of contemporary tendencies. There is a continuous in-depth study of human consciousness and unconsciousness; questions of mind, spirituality, transcendental experiences and quantum thinking.
The period of possible dating ends at the turn of the 23rd and 24th centuries, when a radical paradigm shift occurred. The reason for this absolute turn is the link between gravity and quantum physics. This was until then the last missing link in the synthesis of relativistic and quantum theory into a single entity referred to as the theory of everything. By this is meant a unified framework for describing and understanding all physical phenomena in the universe.
In a cross-section of the work, there is work with quantum gravitational particles (gravitons). It is therefore possible to assume that the entity that created the work operated with knowledge of quantum mechanics. However, given the use of archetypes and mythological imagery on an emotional level, it is more likely that the work came from a human being (not necessarily expert in the field of subatomic particles) with a developed intuition and trust in it.
The use of archetypes in art is not exclusively tied to a specific time period. The symbols contained in the work are universal in nature. Therefore, even these do not provide a key to possible dating.
The work can also be read in the context of ritual healing. There are no signs of limitation to any particular religion. From the perspective of philosophy, the work has a non-dual character that makes the individual (subject) and the external (object) lose their nature.
It is evident that the memetic spectrum is constantly expanding and that the tracing of the causal chain offers insight into what constitutes the quintessence of human culture.
The work allows viewers to immerse themselves in introspection and find their own answers. Through observation, the potential that lies within the quantum system can be activated and materialized.
The work is recommended for in-depth analysis. It is evident that it will be beneficial to the study of human cultural memory and cognitive science.

The estimated creation date of the work falls between the 13th and 23rd centuries CE. The broad time range is caused by the absence of historical tendencies or fads. Herein, we are able to unravel a continuous in-depth study of human consciousness and unconsciousness; extrapolating questions about the mind, spirituality, transcendental experiences and quantum thinking.
The period of sourceable dating ends at the turning point between the 23rd and 24th century, when a radical paradigm shift took place. The cause of this absolute reversal: an admissible liaison has been found between gravitational theory and quantum physics. This was, until then, the last missing link in the syntax of relativistic and quantum theory into a single integrated system, referred to as the "theory of everything". In other words, this discovery established a unified framework for describing and understanding all physical phenomena in the universe.
The work with quantum gravity particles (gravitons), appears throughout the work. It is therefore possible to assume that the entity that created the work operated with knowledge of the conundrums generally associated with quantum mechanics.
However, due to the use of archetypes and mythological images on an emotional level, it is more likely that the work was originated by a human being (not necessarily an expert in the field of subatomic particles) with highly developed intuition and high confidence in applying it. The use of archetypes in art is not exclusively tied to a specific time period. The symbols contained in the oeuvre are universal in nature.
Consequently, even these do not provide any kind of reliable indication for accurate dating.
The work can also be read from the context of ritual healing. There are no visible signs of any kind of restrained affinity towards a particular religion. From the point of view of philosophy, the work has a non-dual character, thanks to which the individual (subject) and the external (object) lose their natural attributes.
There is an ever-expanding memetic spectrum and the tracing of a causal chain that offers insight into what constitutes the quintessence of human culture.
The work allows viewers to delve into introspection and find their own answers. Through observation, the potential that is hidden in the quantum system can be activated and take shape.
The work is recommended for in-depth analysis. It is evident that it will be of benefit to the study of human cultural memory and cognitive sciences.